B A B Y L O N

I call my piece 'Babylon', for which I take the biblical myth and, in particular, Ferdinand Olivier's 1838 painting 'The Jews in Babylonian Captivity' as my starting point. Earlier solo works serve as research for the theme of borders and borderline experiences from a female perspective. The frightening topicality of walls and fences, exclusion and isolation and the associated violations of human dignity and human rights lead me to the question of how people deal with them, how individual reactions arise in the form of adaptation, cooperation and disintegration.

I would like to thank the Choreographisches Zentrum Heidelberg for their kind support.

Many thanks for the scholarship of the Arbeitsgemeinschaft TANZAllianz, cooperation of UnterwegsTheater Heidelberg and Theater- und Orchester Heidelberg.

showing.

at the Choreographic Center Heidelberg/Germany, 29.06.2019

press.

https://www.tanznetz.de/veranstaltung/16809/babylon/show
pictures.
http://heidelberg-fotograf.de/tillmannbabylon_e.htm